Despite Francesco's own death from smallpox in December 1612, Monteverdi was unable to return to favour with his successor, his brother Cardinal Ferdinando Gonzaga. Claudio Monteverdi's Vespers have certainly stood the test of time. Monteverdi’s music drama setting of a passage from Tasso came off best in the Monteverdi String Band’s colourful programme of contemporaneous instrumental pieces and … [144] In 1985, Manfred H. Stattkus published an index to Monteverdi's works, the Stattkus-Verzeichnis, (revised in 2006) giving each composition an "SV" number, to be used for cataloguing and references. On his second visit to Venice in 1628–1629, Arnold believes, Schütz absorbed the concepts of basso continuo and expressiveness of word-setting, but he opines that Schütz was more directly influenced by the style of the younger generation of Venetian composers, including Grandi and Giovanni Rovetta (the eventual successor to Monteverdi at San Marco). [8], There is no clear record of Monteverdi's early musical training, or evidence that (as is sometimes claimed) he was a member of the Cathedral choir or studied at Cremona University. Carter and Chew (n.d.), §4 "Theoretical and aesthetic basis of works", Carter and Chew (n.d.), §6 "'Imitatio' and use of models", Carter and Chew (n.d.), §8 "Works from the Mantuan Years", Whenham (2007) "Catalogue and Index", p. 322, Carter and Chew (n.d.), §9 "Works from the Venetian Years", Carter (2007) "The Venetian secular music", p. 181, Carter (2007) "The Venetian secular music", pp, 183–84, Whenham (2007) "Catalogue and Index", pp. His second published work, Madrigali spirituali (Spiritual Madrigals, 1583), was printed at Brescia. [121] There is continuing debate about how much of the extant L'incoronazione music is Monteverdi's original, and how much is the work of others (there are, for instance, traces of music by Francesco Cavalli). His work marks the transition from Renaissance to Baroque music. [143] Monteverdi's surviving operas are today regularly performed; the website Operabase notes 555 performances of the operas in 149 productions worldwide in the seasons 2011–2016, ranking Monteverdi at 30th position for all composers, and at 8th ranking for Italian opera composers. Among the plague victims was Monteverdi's assistant at San Marco, and a notable composer in his own right, Alessandro Grandi. [74], In this work the "sacred concertos" fulfil the role of the antiphons which divide the psalms in regular Vespers services. On the death of Pallavicino in 1601, Monteverdi was confirmed as the new maestro di capella. Mantua was invaded by Habsburg armies in 1630, who besieged the plague-stricken town, and after its fall in July looted its treasures, and dispersed the artistic community. [44] In 1627 Monteverdi received a major commission from Odoardo Farnese, Duke of Parma, for a series of works, and gained leave from the Procurators to spend time there during 1627 and 1628. [132], The German composer Heinrich Schütz, who had studied in Venice under Giovanni Gabrieli shortly before Monteverdi's arrival there, possessed a copy of Il combattimento and himself took up elements of the stile concitato. 1604), and a daughter who died soon after birth in 1603. In L'incoronazione, Monteverdi represents moods and situations by specific musical devices: triple metre stands for the language of love; arpeggios demonstrate conflict; stile concitato represents rage. $62.95. [141], The revival of public interest in Monteverdi's music gathered pace in the second half of the 20th century, reaching full spate in the general early-music revival of the 1970s, during which time the emphasis turned increasingly towards "authentic" performance using historical instruments. [82], The opera opens with a brief trumpet toccata. [20], At the turn of the 17th century, Monteverdi found himself the target of musical controversy. "[150], "Monteverdi" redirects here. Claudio Giovanni Antonio Monteverdi was an Italian composer, string player, choirmaster, and priest. Claudio Giovanni Antonio Monteverdi (Italian: [ˈklaudjo monteˈverdi]; 9 May 1567 (born) 15 May 1567 (baptized) – 29 November 1643) was an Italian composer, gambist, singer and Roman Catholic priest. His innovations in musical composition and aesthetics decisively contributed to a fundamental change in the general understanding of music and compositional style. It is, writes Denis Arnold, Monteverdi's mixture of the various elements that makes the music unique. He also did much to bring a “modern” secular spirit into church music. 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