As evidenced by his Hero and House of Flying Daggers, Zhang Yimou is no stranger to dazzling martial-arts action. 54 Famous Quotes on Empathy From Your Favourite Books and Icons. With a lyrical touch that invigorates his often-droll action, Talbot pays bittersweet tribute to San Francisco and the magic of true friendship. Kevin Dupzyk. The allure of the light drives two men into pitch-black madness in Robert Eggers’ The Lighthouse, a work of period-piece insanity that more than fulfills the promise of his 2015 debut The Witch. Co-written by Amelie screenwriter Guillaume Laurant (and based on his novel Happy Hand), the movie is gently absurd, occasionally quite surreal, and often deeply philosophical, with co-writer/director Jérémy Clapin wringing an almost uncomfortable amount of suspense out of the hand doing pretty much anything. March 27, 2019. Split into five sections spanning 1960-1980, and set in the country’s northern La Guajira region, Guerra’s film (co-directed by his wife and producing partner Cristina Gallego) details the disintegration of a Wayuu community thanks to enterprising Rapayet (José Acosta), who marries the daughter of imposing matriarch Ursula (Carmiña Martinez) and transforms everyone’s fortunes by smuggling weed procured from relatives. 2019 Unlucky Shot $ 1.99. Surprisingly melancholy and emotional, Klaus was brought to life through cutting edge technology that expertly mixes traditional hand-drawn animation with state-of-the-art computer effects. No film on the subject has ever been this bracingly true to life, and much of the credit for that triumph goes to Driver and Johansson, whose superlative dueling performances—wounded and righteous, forlorn and furious, and marked by respective musical numbers—are as subtle as they are wrenchingly real. It's a shame that this didn't get a theatrical release (aside from a San Diego Comic Con fan screening), but hopefully there will still be more direct-to-home-video installments. Flip-flopping backward and forward in time to create all sorts of harmonious narrative (and formal) echoes, and set to Alexandre Desplat’s lush, vibrant score (the year’s finest), Gerwig infuses her celebrated story with a feminist spirit that flows naturally from its tender depiction of its heroines’ intertwined, universal plights. With a light tough that allows for instances of escapist lyricism (none better than recurring shots of Gloria spinning amidst swirling colors), Lelio fashions a tender, incisive, heartbreaking ode to the myriad complications of adulthood, where efforts to move forward are burdened by regrets, entanglements and longing for connection. Scored to disquieting electronic noises and plaintive orchestral tunes, Landes’ spellbinding feature assumes the quality of a drug trip, evoking issues of alienation, control, sex, fear and loyalty through its young male and female protagonists’ ordeal. But here's the thing: it's still really, really great. Costa's connection to her homeland's bifurcated history (via her revolutionary parents and wealthy grandparents) lends additional urgency to her survey of this tumultuous period of disintegration, in which corporate greed and power turn out to be more influential than the rule of law – or the will of the people. Led by DiCaprio and Pitt’s superb turns as artists trying to stay afloat in a radically transforming industry (and America), it’s a revisionist-history fantasy drenched in nostalgia, ecstasy, yearning and blood. Meanwhile, Jarmusch stages scenes of gruesomeness with a shrug-ish good humor that belies this simmering-with-anger critique of a world going, perhaps deservedly, to hell. The first LEGO Movie was an unexpected delight, full of inventive designs and a conceit that only revealed itself towards the end of the film - that everything we had just watched took place in the imagination of a young boy with daddy issues. Samsara, by Ron Fricke “Samsara” is a little documentary film made in 2011, by the same people who had collaborated on two similar in terms of style and theme films in the last decades, “Baraka” and “Chronos”.. Invisible Life is comprised of well-worn elements: impulsive passions, unexpected out-of-wedlock pregnancies, disapproving fathers, controlling husbands, and dreams crushed under the weight of a society that expects women to conform or be cast out into the wild. Director Julia Hart’s sophomore feature (co-written with Jordan Horowitz) is an unconventional superhero saga about Ruth (Gugu Mbatha-Raw), who in a near future decimated by lack of rain, flees government agent Bill (Christopher Denham) while trying to control her extraordinary abilities, which manifest themselves as seismic seizures. Imagination Movers website. Revelation, resurrection, abandonment and mourning all factor into her haunting story. Paired with its predecessor, it’s one of the finest Stephen King adaptations ever. Borders to cross and barriers impeding passage are omnipresent in Transit, which like so much of writer/director Christian Petzold’s transition-fixated oeuvre, is a forlorn romantic reverie about identity, regret, trauma and rebirth. Covering the hottest movie and TV topics that fans want. Tarantino lavishes his period milieu, and the mainstream movies and television of the era, with sun-dappled neon-colored love. Franz’s refusal to do so is fraught with perilous consequences not only for himself, but also for his wife Franziska (Valerie Pachner), whose staunch loyalty to her husband in the face of communal ostracism is as courageous as is his ethical stand against tyranny. And, it should be noted, I haven't gotten a chance to see Weathering With You yet, although I am, of course, dying to. Dumbo. The fact that many are still referring to the movie as "live action" is as baffling as it is factually incorrect; this new Lion King was hand animated by a team of talented artists, just like the original 1994 classic. March 15, 2019. On a New England rock enshrouded in crashing-wave mist and bombarded with torrential rain, 19th-century lighthouse keepers Thomas Wake (Willem Dafoe) and Ephraim Winslow (Robert Pattinson) tend to their duties, with the former manning the illuminated tower and the latter maintaining their domicile and coal-burning furnace. The 75 Best Movies on Amazon Prime Right Now (January 2021) By Paste Movies Staff January 5, 2021 Aaron Sorkin’s Got Some 'Splaining to Do, … At the center of this evocative drama is Daniel’s mother Helen (Karen Kaia Livers), caught between her religious convictions and the harsher, contradicting realities around her. Here are the biggest releases of the month. Strickland recounts his wacko tale with explosions of lurid color, black-and-white photo montages, and a mesmerizing Cavern of Anti-Matter score, as well as via compositions that have a tendency to cut off his characters’ heads (thus emphasizing their crotch-ety midsections). Acquiring those positions, alas, necessitates ruining their predecessors, and holding onto them entails even nastier business – as well as enduring the petty cruelty, condescension and selfishness of their employers. The go-to source for comic book and superhero movie fans. He is also the author of “The Art of Onward” (Chronicle Books, 2020). Regardless, it’s still an escalating freak-out scored to thumping electronica and populated by a raft of potential monsters. The director’s A Hidden Life recounts the based-on-true-events tale of Franz Jägerstätter (August Diehl), a farmer in the rural Austrian enclave of Radegund whose world is forever altered by the 1939 appearance of the Nazis—and the requirement, once he’s forced to join the Third Reich’s army, that he swear allegiance to Hitler’s party. Romance and court intrigue are also part of this stunning package, yet far more exhilarating than the stock story is the director’s precisely choreographed wuxia combat, highlighted by Zhang’s signature slow-mo shot – in which his camera trails behind a running fighter’s blade as it scrapes against the ground, casting water skyward – and often carried out with the most badass umbrellas ever committed to film. The first release to emerge from the Obamas’ production deal with Netflix, Julia Reichert and Steve Bognar’s eye-opening documentary begins on a high, as American and Chinese workers show equal enthusiasm for the new venture, which promises to bring opportunity (and, hopefully, prosperity) to a community hit hard by a prior GM plant’s closing. There are codes within codes within codes in Under the Silver Lake, David Robert Mitchell’s deliriously shambolic neo-noir about stoner sleuth Sam (Andrew Garfield, never better) traversing a Lynch-ian L.A. landscape in search of a mysterious missing beauty (Riley Keough). Made by first-time writer/director Phillip Youmans at the age of 19, the film imparts an all-encompassing sense of its milieu’s atmosphere, from the oppressive stillness of the air, to the spartan sounds of insects and footsteps in partly furnished old homes, to the sticky countenances that dot the swampy landscape. Nick Schager is a NYC-area film critic and culture writer with twenty years of professional experience writing about all the movies you love, and countless others that you don’t. Elevating its conventional storytelling through mega-watt personality and fast, screeching track action, Mangold’s based-on-real-events film rides alongside former champ Carroll Shelby (Matt Damon) and his rough-around-the-edges driver Ken Miles (Christian Bale) as they attempt to build a car for Henry Ford II (Tracy Letts) capable of besting Ferrari’s legendary vehicles in 1966’s 24-hour Le Mans contest. A trip to the gators’ egg-laying nursery is a particular highlight, although singling out one of the film’s showstoppers seems almost unfair. High in the mountains of an unidentified Latin American country, a band of child soldiers (with names like Rambo, Wolf and Boom Boom) partake in intense physical training and unique aggro rituals – such as lashing a member for their birthday – while guarding their hostage, an American doctor (Julianne Nicholson). Vs. Jeff Chan and Andrew Rhymer’s romantic comedy is, per formula, bound to have its seemingly opposite protagonists discover their attraction for one another, yet predictability is of no concern when the amorous action is as consistently funny and charming as it is in this jaunty indie. Teen Titans serves as a feature-length crossover of the series (actors voice the same characters in both series, making things both simpler and more complicated), twice as silly as you'd imagine and three times as hilarious (hurt feelings are put aside through the use of a 90s-style hip hop song, complete with characters commenting on their differing art styles). Sort by . Led by a collection of outstanding performances thrumming with adolescent liveliness, longing, regret, resentment and resolve, the film revisits the diverse ups-and-downs of the March sisters. There’s a vicarious thrill to watching this rocker spiral into the abyss, and then pull herself back out. Indoctrinated from a young age by his surrogate-parent gang leaders (Bill Camp and Vera Farmiga), Widner preaches xenophobia and division until he meets single mother Julie (Danielle Macdonald). Dec. 31, 2019 at 2:00 p.m. UTC Apparently, we really like documentaries at The Washington Post. Their confined setting is a veritable labyrinth that –as with CGI-ified imagery of storm-ravaged communities – director Alexandre Aja imbues with underlying allegorical heft. Led by bravura turns from its leads (Pesci quiet and menacing; De Niro stoic and empty; Pacino fiery and charismatic), it’s an epic about American corruption and underworld dishonor. Shin’ichirô Ueda’s cult classic-in-the-making is about a couple fending off a zombie plague. Sources say Warner Bros. has its eye on either Tom Holland or Timothée Chalamet to play the eccentric chocolatier. Directed by Dylan Brown. Every Movie Releasing In November 2019. At nearly four hours, the film imparts an overpowering sense of its characters’ despair, and the misfortune that befalls them whether they remain alone or try to engage with others – a despondency only amplified by its empathy. September 26, 2019. An era-spanning tale that charts the intersections of the mob and domestic politics (including the election and assassination of JFK), Scorsese’s film is also a flashback-layered drama about the passage of time, and the impact – or chilling lack thereof – that regret, treachery and immorality have on a man’s soul. For more than two decades, Disney has been creating made-for-TV movies for its viewers under the Disney Channel Original Movies (DCOM) umbrella.Today, there are more than 100 DCOMs — with even more slated to come out later this year. Stymied by health problems and depression, which have brought about creative inertia, Mallo uses a retro screening of a former triumph to mend fences with estranged leading man Alberto (Asier Etxeandia), who soon introduces him to migraine-relieving heroin. In a brief post-credits sequence at the end of last year's woefully underrated Teen Titans Go! Buoyed by a script attuned to the sorrowful rhythms of older age (and New England), Jones’ film rests on the shoulders of Place’s stellar, lived-in performance as Diane, a fallible woman whose selflessness is colored by anger and regret. 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